Nearly 8 million old-fashioned vinyl records have been sold this year,
up 49% from the same period last year, industry data show. Younger
people, especially indie-rock fans, are buying records in greater
numbers, attracted to the perceived superior sound quality of vinyl and
the ritual of putting needle to groove.
But while new LPs hit stores each week, the creaky machines that make
them haven’t been manufactured for decades, and just one company
supplies an estimated 90% of the raw vinyl that the industry needs. As
such, the nation’s 15 or so still-running factories that press records
face daily challenges with breakdowns and supply shortages.
Their
efforts point to a problem now bedeviling a curious corner of the music
industry. The record-making business is stirring to life — but it’s
still on its last legs.
Robert Roczynski ’s dozen employees work
overtime at a small factory in Hamden, Conn., to make parts for U.S.
record makers struggling to keep abreast of the revived interest in LPs.
Roczynski’s firm says orders for steel molds, which give records their
flat, round shape, have tripled since 2008.
“They’re trying to
bring the industry back, but the era has gone by,” says Roczynski, 67
years old, president of Record Products of America Inc., one of the
country’s few suppliers of parts for the industry.
Ryan Raffaelli, an assistant professor at Harvard Business School who
studies what he calls “technology re-emergence,” is familiar with this
industrial netherworld.
Swiss mechanical watches, fountain pens
and independent bookstores all re-emerged from the doldrums by
reinventing themselves for consumers and then attracting investment from
entrepreneurs, he says.
“The question is whether there’s enough demand for vinyl to make this jump. And it’s too soon to tell,” Raffaelli says.
[via roy, 12/16/14]
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